Dựng từ transcript
Record a microphone or edit video/audio with the auto-editor CLI — cut out dead space (silence, motionlessness, black frames), set the pace, make manual cuts, and render the result. Use when someone wants to capture and trim a microphone, remove silence, shorten a recording, speed through quiet parts, or otherwise edit media with auto-editor.
Editing, cutting, trimming, pacing, and timeline restructuring in the DaVinci Resolve MCP. Apply when duplicating/moving clips, copying ranges, building variants, tightening or restructuring a cut, editing selects, or generating an editorial changelist/turnover — live in a running Resolve OR offline against .drt timeline files. Routes to the live edit tools, the offline editorial tools, and the project's editorial craft guidance.
Assembling a short-form social rough cut from raw behind-the-scenes or vlog footage in the DaVinci Resolve MCP. Apply when asked for a rough cut, first cut, assembly, or "make me a timeline" from a folder of footage — day-in-the-life, BTS, process, or product-shoot material destined for Reels, TikTok, or Shorts. Covers ingest, shot finding at scale, vertical timeline setup, and gapless assembly.
Video and audio processing with FFmpeg. Use for format conversion, resizing, compression, audio extraction, and preparing assets for Remotion. Triggers include converting GIF to MP4, resizing video, extracting audio, compressing files, or any media transformation task.
Python video composition with moviepy 2.x — overlaying deterministic text on AI-generated video (LTX-2, SadTalker), compositing clips, single-file build.py video projects. Use when adding labels/captions/lower-thirds to LTX-2 or SadTalker outputs, building short ad-style spots in pure Python without Remotion, or doing programmatic video composition. Triggers include text overlay on video, label LTX-2 clip, caption SadTalker output, lower third, build.py video, moviepy, Python video composition, sub-30s ad spot.
拉片：把一条成片拆成逐镜头的分析表——每个镜头的时长、景别、类别、运镜、画面。 分工刻在骨子里：**能量的都由代码量**（切点来自 ffmpeg 场景检测，时长是切点相减， 运动量是逐帧差分的中位数），模型只判断它真正该判断的那几件事（景别 / 类别 / 运镜 / 画面 / 节奏）， 然后每一条判断都被代码当场对账——**声称推拉摇移却实测几乎不动，门直接拦**。 看片走联系表（每镜起手帧 + 收尾帧各拼一张大图，一屏二十几个镜头，a/b 对照就是运镜）， 不是一张张翻。检测漏刀多刀用 recut 补刀并刀，自动重编号重算时长，手改边界过不了门。 产出 shots.json + Markdown 镜头表 + **单页交互式拉片报告**：内嵌播放器（播放时同步高亮镜头、 点镜头跳转）、镜头节奏带、可搜索可筛选可排序的镜头表（列表 / 卡片两种视图、首尾关键帧并排、 点图开大图）、景别类别运镜分布、出场人物、质量门、导出 JSON。单文件零依赖，离线双击能开。 15 道质量门全部由脚本确定性检查。 零依赖、零 API key，只要 node 和 ffmpeg。 Use when asked to 拉片、拆镜头、分析视频镜头、镜头时长、景别、运镜、镜头表、 video shot breakdown、shot list from video。
The user has 2+ recordings of the same event (each with a `.sync.json` sidecar from wjs-syncing-multicam) and wants them combined into a single MP4 — auto-switching between cams second-by-second on audio energy, with optional picture-in-picture inset. Triggers — "auto-edit multicam", "做个剪辑", "切几个机位", "把这几个视频合成一个", "combine these angles", "PiP overlay".